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“All Our Yesterdays is already drawing comparisons to Maggie O’Farrell’s Hamnet should have literature nerds frothing at the bit.”  –Paste

“Lady Macbeth is surely one of our most instantly recognizable characters, a shorthand now for heartless and overweening ambition. In All Our Yesterdays, Morris has given her the deep, nuanced, and complicated backstory she deserves. With witches! Thoroughly engrossing, highly recommended.” –Karen Joy Fowler, author of Booth and We Are All Completely Beside Ourselves

“Hail, Macbeth! A stunning meditation on the auspiciousness of silence, and intergenerational anguish. The evolution of Shakespeare’s Medea is a marvel to behold by Morris’s pen. I could not put this book down.” –Isa Arsén, author of Shoot the Moon

“[A] beautiful interpretation, which is so rich in its descriptions and well-crafted characters. . . A most enjoyable setup for the Scottish play.” –Kirkus Reviews (starred)

“Thoughtful, eerie, and full of medieval magic, Morris’ take on the much-maligned lady will perhaps have you rooting for her and her partner, or at least, feeling some sympathy for her quest of vengeance.” –CrimeReads

“All characters are drawn with inventiveness and depth. . . Entirely illuminating. . . [A] beautifully realized tale of a daughter, mother, and wife ultimately at the mercy of Fate’s unknowable interventions.” –Booklist

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“[A] wonderfully atmospheric novel. Morris drops the reader into a fully realized 11th-century world with all the sights and sounds. Carefully chosen words and small details shape this fearful and foreboding world. . . [A] rich study of one of the most vilified literary characters.” –Historical Novels Review